Hat tip: Yimmy's Yayo.

Pick Me Up contemporary graphic art fair

Last month I went to the launch of Pick Me Up, the first contemporary graphic art fair in the UK. The intention was to bring together the most exciting graphic artists working today and provide opportunities to buy limited edition, affordable graphic art, illustration and design.
Unfortunately, I wasn't overly impressed. While the fair featured inevitably beautiful pieces by Rob Ryan - the most popular name secured by the fair - I thought that the quality of the works on show overall was a little disappointing. This was an affordable art fair that showcased up and coming artists, so you expect there to be some unevenness, but for me, a few too many pieces were amateurish, sparse and uninspiring.

There were some highlights: Rob Ryan hosted an open studio, bringing his paper-cutting tools and printing presses with him from east London, so that the entire process of making his work could be followed.Nobrow Press, a small publishing house in East London, produces fascinating tactile books and several of these were on display at the fair. Bright, bold and diverse, the prints leapt off the page and were amongst the most exciting works on show.Other standout works included Oranges and Lemons by Paul Bommer, Moustaches by Mr Bingo, Ice Creams by Paula Castro and Go For It by Alex Trochut (I also liked his Neo Deco typeface design). However, unfortunately overall I thought these jewels were few and far between.

Wenlock and Mandeville

Today the people of Britain saw the below picture and in a rare display of national unity shrieked as one: WTF?
Why, of course it's Wenlock, the 2012 Olympic mascot, and Mandeville, his Paralympic counterpart. I don't know about you, but when I see these two misfits lumbering terrifyingly down the street, I'm going to think "well this clearly encapsulates the spirit of the Olympic Games!"

What's that weird orange blob atop the head of eitherWenlockorMandevillelikeitmatters, you ask? Apparently it's a light in the style of those found on the Hackney carriage taxi for which London is so famous! And what better way to replicate the indication that a cab is for hire than by mounting a weird clitoris-type thing on top of a one-eyed maniacal monster, and sending him out to play with children.

And what's with the cyclops thing? Apparently that is not only an eye but also a LENS, which is a nod to the digital / webcam / iPhone generation. Groovy! It also signifies that the figures may be turned into cameras and camcorders when they go commercial in July. Needless to say, I think I'll stick with my trusty Canon, thanks.

Coalition Time

In sneaks British Airways Pilot of the Year 2009, Nick Clegg.

Not pictured: David Cameron's coattails.

Marcel Dzama

Untitled, 2000, as seen in the Tate Modern on Saturday.

Modern Masters on BBC1

Just finished watching the hugely enjoyable Modern Masters on BBC1.
Alastair Sooke presented an hour-long look at Henri Matisse, tracing his biography across Europe, Russia and the US. The programme showed some of the painter's greatest works, and demonstrated how Matisse's vivid use of colour and form has influenced today's artistic and design culture, from Miffy books and the 2012 logo to iPod ads and Paul Smith ties.

The instant response on Twitter was highly positive. The only critcism, incredibly, was of Sooke's alleged insincerity. I couldn't disagree more. I'm highly skeptical of earnest TV presenters, but thought that the Telegraph art critic was excellent: confident, enthusiastic and likeable.

It's exactly what BBC programming should be about, and perfect for a Sunday night. Tonight's episode was second in a series of four - Warhol has gone but Picasso and Dali are yet to come. BBC1 at 9.00 p.m. next Sunday. Don't miss it.

Well overdue

Come on you Spurs!

Penguin RED covers

Penguin is to release eight special editions from Penguin Classics series with specially designed artwork to celebrate a new partnership with (RED), the campaign to help eliminate AIDS in Africa.

Mr Christopher hearts Penguin design and three of the eight have been developed in-house. Strikingly, the title block is red rather than the conventional black, and the typographical visuals are quotations from each book. In a nod to the campaign branding, "Penguin Classics" is bracketed - a minor detail, but a nice touch.

House of Mirth is one of my favourite books, and the vintage Americana typefacing looks awesome, so ten points there. Bram Stoker's Dracula is fiercely dark and challenging - the text reads "His eyes were positively blazing. The red light in them was lurid, as if the flames of hell fire blazed behind them", but it takes a little work to make out. I also like the messy geometry on Conrad's Secret Agent, sprawling over the title block.

Here are the rest.

The only let-down for me is James' The Turn of the Screw - sparse, insipid and plain.

Friday's ffffound

All by Adam Hancher, as found on ffffound!.

PARTY LEADER SECRETLY WANTS TO WIN GENERAL ELECTION

In what sense is this an exclusive?

The Times follows with the shock news that most businesses try to make money, many sporting teams hope to win their various matches, and that some journalists stick "Exclusive" at the start of any headline to justify what would otherwise be a non-event story.