Thursday, August 12, 2010

PRINT SUCCESS





- Leaf Me Alone by Anthony Peters
- Simple - Black & White by Seb Lester
- London by Steve Forney
- Tall Bike Poster by Barrel NY

Saturday, August 7, 2010

Stephanie Quayle

Yesterday I saw some startingly wonderful sculptures by Stephanie Quayle in Canary Wharf. Quayle spends a lot of time watching her subjects before rendering them rapidly in clay, resulting in fantastically captured impressions.

The most eyecatching were groups of foxes slinking around the lobby of One Canada Square. It felt like the animals were the underclass in a two-tier city, as suited commuters hurried past and security guards kept a wary eye on them.

Probably the best site-specific public art I have ever seen. Well done Stephanie Quayle.

Monday, July 26, 2010

Foursquare

I have a question. I don't want to sound like one of those misers who think they have the measure of Twitter by asking WHAT'S SO GREAT ABOUT TWITTER WHO WANTS TO KNOW WHAT YOU HAD FOR BREAKFAST (usually either accompanied by an exasperated Jeremy-Clarkson-book-cover stance, or muttered wryly in an attempt to sound like a cross between Blackadder and Oscar Wilde)... but what's so great about Foursquare?

For a start, I'm only 70% sure I know what it is. One of my friends often has things posted to his Facebook page saying thinks like "I am starting a trip to New York" or "I am in Starbucks, Broadgate", and I'm pretty sure that the name of the beast is Foursquare. Someone else has just instructed me to join it and, after a cursory and no doubt wildly inaccurate skim of a Guardian article on the subject, I'm not sure I would like it very much for the following reasons:

  • There's something distastefully and self-defeatingly transparent about going "HEY! I am at this Cool Venue" which, despite the fact that I am as superficial and self-promoting as anyone, I don't like.
  • I don't sufficiently trust the judgment of randoms to break out my phone every time I go into a cafe to see if someone has said "have the bacon roll! It's deliiiiicious lols!".
  • As far as the "hooking up!" ability goes, there are probably only about six people that I would never resent bumping into. The day where my phone is excitedly bleeping at me to tell me that my college hockey captain is in a 400 metre radius is a day I would rather have stayed in bed.

I don't think my BlackBerry would let me install it in any event, so it's probably academic, but you know. Good to have a view.

Sunday, July 25, 2010

ICRC 'Missing Lives' Exhibition


The International Red Cross 'Missing Lives' exhibition catches you off-guard as you wander guilelessly along the South Bank. Installed on a jutting platform opposite Gabriel's Wharf, it appears to be a glossy display of high definition photography - glamorous eye candy, no doubt!

On closer inspection, however, the exhibition has a sombre and moving story to tell. 'Missing Lives' highlights 15 individual accounts taken from thousands describing pain and loss from the Balkans wars, which scarred Yugoslavia in the 1990s and cost the lives of about 140,000 people.

Of those 140,000, a quarter of simply vanished and were reported missing by their families. Even today, almost 15,000 people remain unaccounted for. Photography by Nick Danziger and text by Rory MacLean illustrate the anguish suffered by the families of the murdered and missing.

Some stories are shocking, others just sad. Piecing them together produces a terrifying vision of a world where neighbour turned on neighbour and close-knit communities were ravaged by mass executions, often willingly carried out by citizens upon their acquaintances.

Unexpectedly and suddenly moving, this restrained yet harrowing exhibition may take the spring from your step as you trot alongside the river, but don't avert your eyes: it is profound, thought-provoking and - as pressure increases on the West Balkans governments to provide answers to affected families - timely.

'Missing Lives', Gabriel's Wharf, 7 July to 26 July.

Thursday, June 10, 2010

How much do musicians make online?

The answer is not very much. Digital royalties are looooow, with the below diagram (from Information is Beautiful) illustrating how many units / plays artists need to shift to earn the US minimum monthly wage. 143 self-pressed CDs = >4.5 million plays on Spotify. Yikes!

Tuesday, June 8, 2010

Kozyndan and Bernstock Speirs

Last week I went to the opening of Kozyndan's first UK solo show, 'And Then There Were None', at Nelly Duff gallery on Columbia Road.

Kozyndan are LA-based Dan and Kozue Kitchens, self proclaimed 'Mad Scientists' of the art world. They have made waves on the international art scene, mostly by virtue of their bunny prints - the best one of which (Uprisings) is featured in the poster above.

Everyone also seemed very excited about something called The Best Sushi in Town, but I preferred Takadanobaba on Acid and Bunny Blossom (both below) - the latter if only so I could link it with the Van Gogh I got last summer (right). HOW BLOODY KITSCH.

Unfortunately, Uprisings is ubiquitous, the rest of the Japanese-style bunny prints seem a bit derivative, and I'm not mad keen for the other handdrawn pieces. But it was still cool.

And on the way home we stopped off at Bernstock Speirs, which was launching a Peter Jensen line of baseball caps and tees to go with their acclaimed millinery (as seen atop Kirsten Dunst, Marion Cotillard, Karl Lagerfeld, Victoria Beckham, Will Young, Ralf Fiennes, Sharon Stone et al). Bonus.

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