


A heady mix of entertainment, news, style and writings on popular culture from a young man living in London and Amsterdam
















The tortured outpouring at the fountain from Diana Quick's beguiling, brisk and conflicted Julia and the tremendously painful return to the estate evoked by Jeremy Irons' insular, mournful Charles have played on my mind all day. Unfortunately the book is at home, but if I had it with me I would break my rigorously-applied rule and plunge into it again. As it is, I'm sating myself with tales of the inspiration.
Today I stumbled upon Mykromag's shoot by Dutch duo Petrovsky and Ramone on location outside the uniquely surreal Michael Jackson memorial service in Los Angeles last month.






So which is it? The best explanation I can find comes from (where else?) Wikipedia: "the cameras follow [characters] daily and capture whatever unfolds." OK, so it's reality. Oh, hold on - there's more: "There is 'structure' provided to the program, as real life develops day-by-day and most dramatic events generally occur while being filmed."
And what about this 'job' business - does the City star actually work for the fashion designer? Did she get the job on merit? How close were we to having a series about a spin-off Hills character who spends all day flipping burgers or photocopying? And does the designer not get a bit ticked off with her employee's constant breaks for angsty Dawson's-style summits with her on/off boyfriend, explosive latte-fuelled clashes with bitchy rivals, or requests to be promoted as this season's storyline kind of counts on it?
1 - Nicholas Sarkozy
The intention can be summed up thus: Russians heart macho. Ex-President acts macho in photograph. Russians see photograph. Russians heart ex-President, want to make President again. Ex-President smiles, feels macho, tells rest of world to shut up while he does JUST VHAT HE VANTS VIT THE GAS SUPPLY, DA? That, in a slightly racist nutshell, is it.
So what is the point of this self-fulfilling bit of stage management? World leaders know the public is watching, so they put on an act; we see them act, and correctly surmise that it's for show. I suppose there is no point.
I once set off to school with what I thought was a rather racy new do (swept back in the style of Andy Garcia), only to find when I got there that my traitorous tresses had risen in the car and that rather than resembling a smooth-talking Mafioso, I looked like the self-conscious lovechild of a hedgehog and a greasy waiter. (I probably should have used 'POMADE', but the thought of smearing engine oil onto my head was appealing to my nine-year old self as it is now) My arrival at the school gates was met with howls of persecution from friends, teachers and the media that I can still hear today. At least I'm pretty sure it was the media. It was bad, anyway.
4. You might end up looking like the imbecile from that advert, "Tim" or whatever he was called. You know the one I mean. "Everyone knows a bloke like Tim!!!!!"
So unless you like being papped as a weeping nine year old or BEING EATEN ALIVE FROM THE INSIDE OUT, leave the bed head to lothable lotharios from TV Land and wash your hair in the morning. Sorted.